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ARTIST STATEMENT:

 

My paintings usually highlight two different themes, one mainly focuses on animals and capturing a sense of movement and life through the captivating style of disrupted-realism. While the other explores realms of darker, more haunting subject matters of fantasy and folklore, that have greatly influenced my life and interests. 

 

Animals are still significantly featured in this work as well and remain my favorite subjects to paint. ​Living creatures are constantly moving in rhythm with the space around them and I strive to capture that movement in my work. This may be why I am drawn to looser forms and brushwork and have been since I first discovered the style of "disrupted-realism" in college. It's always been so captivating and expressive to me and I love how the style thrives on improvisation during the entire process. â€‹Whether my backgrounds are undefined or specific, my main objective is to create an atmosphere that vibrates around the subject matter and works with it harmoniously.

 

I use several different tools to achieve this combination of realistic and abstracted forms and I’m constantly trying to grow and develop all their uses and possibilities, many of which are discovered during creation process itself. I also find that the combination of loose and defined strokes make a piece feel more organic, earthly, and at times, haunting. And these marks, whether subtle or chaotic, give both my lighter and darker subjects matters a sense of life.​

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                                                                       BIO:

I was born and raised in the small, rural town of Dover-Foxcroft, Maine, surrounded by nature. I did farm work from a young and to this day I have a great love of the outdoors, animals and working with my hands, which has greatly influenced my art.

I was naturally drawn to art and creative projects as a child and I loved drawing ever since I can remember. Fantasy and equines were my favorite subjects for most of my life, as I spent a great deal of my youth working with horses. Observing their beautiful anatomy and movements on a near daily basis, helped train my eye for accurately capturing their essence on paper, and thus taught me how to observe everything in such a focused way. Eventually I would try my hand at painting and I've never stopped! I now live in Southern Maine with my husband and our dog and paint a large variety of subjects, but equines always find their way back onto my easel.


I developed a love of music, fantasy and writing stories from my dad and a love of horses and old westerns from my grandfather, but my obsession with all things dark, haunting and Halloween however, seemed to come mostly from myself. I was lucky enough to live in a town that had a lot of creative outlets, such as my local Equestrian-Theater/ Dressage Farm where I spent many years, and it combined other things that I loved, such as magic, music, acting, costumes, dancing, and creative people! It was very inspiring, and from fueling my creative passions when I was young, I knew I would accept nothing less for a lifestyle as an adult. 

I chose to go to college as a Fine Arts Painting Major, first attending the University of Maine, Orono, then transferring to The Lyme Academy of Fine Art. After my second year however, I left school and married my Pianist/Composer high-school sweetheart,
Clifford Cameron, and we've spent our years traveling and growing artistically together and have now settled back in our home state of Maine. 

I first began showing my work professionally, back in 2012, at local art festivals in New Orleans, where we lived for a time. This connected me to my first art gallery, Tripolo Gallery. I have since had my art shown across the country in CO, LA, ME, CA, NY, and NH. My work is currently being represented by Abend Gallery in Denver, CO, Moss Galleries in Falmouth, ME and Equis Art Gallery in Redhook, NY.

In 2022, I created a secondary branch of my artwork under the name 
Dark Hollow Arts. These paintings focus on the darker, more imaginative side of my personality and cater to a more selective audience than the lighter, animal art I had been previously known for. I jump back and forth between the two styles, but my dark art has certainly taken the more significant foothold in my production. I display my dark art at art fairs, conventions, gallery exhibitions and in general gallery representation, but I still trickle in some of my lighter animal art here and there for myself and my audiences that have come to love that area of my work. I also sell prints of my dark art on my Etsy. And reaching new audiences with my dark art has inspired me to begin a series of my own pop-up theatrical, dark art fairs in New England called Dark Hollow Events, partnered with Sergio Salvucci of Wildthorn Productions.  

Other passions of mine include music. I song-write/sing/play mandolin in my family band with my husband and father, called The Northern Grey. Outside of the creative, I am a certified dog trainer and spent years working with dogs. However, since moving to Maine in 2019, I've found myself dedicating most of my time to my art career and getting to know the local art community by working part-time at Moss Galleries. Though art keeps me very busy, I still find ways to surround myself with animals regularly and keep the passion to paint them alive, as well as nourish my soul.

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Publications/Features/ Awards/ Competitions 

Featured Images & Articles Below

-Most Recent to Oldest-

2025- Featured in Black Noise Magazine- Cover & article  https://bit.ly/40cjuXz

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2022- Featured in an ad for Moss Galleries in Downeast Magazine. www.elizabethmossgalleries.com

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2022- Awarded Top Dog in Artists Network "2nd Annual Best in Show Pets Art Competition" featuring piece, "Forever a Pack":

 https://www.artistsnetwork.com/art-competitions-inspiration/6-winning-dog-portraits/

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2022- The Maine Organic Farmers and Gardeners Common Ground Country Fair in Unity Maine, poster contest winner with colored pencil piece "Raven and Blackberries": https://store.mofga.org/products/2022-common-ground-country-fair-poster?fbclid=IwAR1acqVGEZIzdMwo49JoXRjXTVBu8bnRapIKcX2QIaRk9Zdp4-WPHzux9zQ

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Both artist and poster were featured in the Bangor Daily News, the Piscataquis Observer, and WABI TV 5 News. The article and video news clip can be viewed in the links below: 

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https://www.wabi.tv/2022/01/19/common-ground-fair-reveals-2022-poster/?fbclid=IwAR1cLLMZXlh6dfwcX2IPh2OL31yXMbKdHdXkFn3fSpp0B0SyXbip9KvNmTk

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https://bangordailynews.com/2022/01/17/homestead/artists-blackberry-munching-raven-is-the-star-of-the-2022-common-ground-fair-poster-n6hjn1me0n/?mc_cid=52f52eec80&mc_eid=a53416ae21

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2021- Southwest Art Magazine, "21 Under 31." Featured as one of the 21 up-in-coming artists under the age of 31 to "watch for" in the art world! https://www.southwestart.com/featured/21-under-31-aug2021

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2021- Album cover for The Mallett Brothers Band album, "Gold Light"- July 4th 2021. Bison painting, "Of What Remains," was the pieces selected for the cover. The album art was also featured on the Three Rivers Bissell Brothers Brewing Company brew can "Gold Light" for the release of the album.

http://www.mallettbrothersband.com

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2021- Featured Artist in Lavender Fields Online Magazine, February 2021 issue.

https://www.lavenderfields.co/magazine

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2020- Featured in Southwest Art Magazine with the Artistic Excellence Annual Competition, as an Honorable Mention Finalist. Piece to be featured: "Backcountry Cowhand." 

https://www.southwestart.com/articles-interviews/feature-articles/artistic-excellence-2020-honorable-mention-morgan-cameron

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2020- Featured in Sidelines Magazine, a prominent Equine Magazine. Article titled: "Finding Home in Life and Art, " written by Shya Beth, founder of Art of the Horse. 

https://sidelinesmagazine.com/app/#/reader/35450/1345848

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2019- Album cover for Clifford Cameron's music album "Katahdin" featuring The Alpine Ensemble.

www.cliffordcameronmusic.com

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2020- Featured as "Emerging Artist" in the online article with Western Art Collector Magazine. The painting "The Sorrel," is depicted with Artist feature in correlation with Abend Gallery. https://www.westernartcollector.com/issues/152/emerging-artists

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2019- "Theater Horse #4" was specially requested by the Equus Film Festival for their Maryland poster as apart of their Nationwide tour in 2019. 

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2014- "Ahead of the Pack," oil painting selected from competition as  the poster for the Harvest Cup Polo Classic by The Junior League of Greater Covington, LA. The painting and artist was featured in an edition of Inside Northside Magazine and in several local papers. 

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